Sufjan Stevens’ show at the State Theatre on Monday night looked good. There were moments of bombastic brilliance, from the band, there were the gorgeous evolving geometries of his psychedelic visuals – in fact, the whole thing was a visual treat – the outfits, the cute attempt at hula-hooping. Too bad it was, to twist Emmy Hennings‘ words, “contrived, twee schoolyard indie”. Though you wouldn’t have picked it from the audience, which bordered on the sycophantic, calling for how many encores – I lost count.
They all loved little Suffy, even him (though agreeably not him).
There were songs about towns and highways, about serial killers, he had an explosive band and quiet folk songs, seemingly stream of consciousness anecdotes about sugar highs – Suffy had plenty to grab your interest. Just not much charisma or spark, or as my partner of 10 years said afterwards, “I just wasn’t intrigued by him”. I agree, musically and personally I just didn’t care. I am, however, seriously in the minority.
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You’re not the only one unimpressed – a couple of friends of mine went to the concert on spec and walked out.
Talking of painfully hip concerts at the 2008 Sydney Festival, the audience for Joanna Newsom at the Opera House also verged on the sycophantic – virtually giving her a standing ovation just for walking on stage (applauding their own hipness , in other words). But hey, she turned out to be great – her voice much less anoying than on disc, the harp playing out of this world. So I didn’t mind in the end.
Thanks for the listing of Eyes Wired Open on your blogroll BTW!

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