May, 2008

Three great badges

Sunday, May 11th, 2008

I do like badges. And these ones are especially cute.

They’re from Perth. Patrick Pittman of Omit Needless Words – but also freelance writer, editor, indie publisher (zines, an ethical guide to grocery shopping in Perth), community radio broadcaster – is selling these badges through his latest thing Novel Badges. They’re $3 a go.

ONW put me on to this hilarious thing too, Sleeve Face:

one or more persons obscuring or augmenting any part of their body or bodies with record sleeve(s) causing an illusion

Here it is on flickr too. More!

Canvas

Sunday, May 11th, 2008

I can’t imagine there are too many theatre companies that revel in walkouts. Syd Brisbane, an actor with 25 years experience who’s worked with the Sydney Theatre Company and the Australian Shakespeare Company, founded The Rabble with designer Kate Davis and lighting/production expert Emma Valente.

Their latest – a version of the Biblical tale of Herod’s step-daughter Salome (first told for stage by Oscar Wilde), radically reinterpreted for the cavernous Bay 17 stage at Carriageworks – is short on words, big on physical drama. Apparently it’s inspired a few walkouts too. I’m looking forward to seeing it this week, but this morning Syd was our guest on Canvas.

Canvas - Syd Brisbane
(Me and Syd in the studio)

Here’s what we played.

Neu – DJ DSL
Percy On The One – Clutchy Hopkins
These Boots Are Made For Walking – The Boys Next Door
The Book I Write – Spoon
Come Around (Lovestoned Remix) – Urthboy
How Much I’ve Lied – Jason Walker
Time of Songs – Tapes ‘n Tapes
About to Walk – Throw Me The Statue
Shadowland – Youth Group
Are Ya – Mensy
Hold Me Down (Shoes remix) – Primary 1
No Tomorrow (prod Kirk Degiorgio) – Robert Owens
Wanderlust (Ratatat remix)- Bjork
So Low – The Mime Set
Aileen – Lindsay Phillips
Like Air From Your Lungs – Karoshi
Hands On Us – The Notwist
Bright Tomorrow – Fuck Buttons
Heart It Races – Architecture In Helsinki
Blue Planet (Abacus mix) – Chaser
Crying In Her Room – Silver City Highway

Canvas

Sunday, May 4th, 2008

Jeff Burch was our guest on Canvas this morning.

Jeff Burch and Matt Levinson
(Jeff Burch and I in the FBI studio)

Born in New Zealand but living in Sydney, he’s released LPs (NY’s Magic Markers and his own band Songs‘ pop debut EP) and books by Max Doyle and others on indie publisher/label The Spring Press.

Magic Markers LP - The Spring Press
(Magic Markers – ST LP)

He works with fashion designer Therese Rawsthorne, he designs websites and record covers, writes interviews, makes films. Basically Jeff Burch is prolific.

Here’s a record Jeff originally released on the now defunct Brothers label:

Jeff Burch – As I remember, if I remember correctly, I arrived sweetly (51.8MB)

Jeff’s band Songs played at the Hopetoun last night – intriguing, that’s for sure – and they’ve got a few more shows this coming week in Sydney (more details here).

Songs @ the Hopetoun, Sydney 3/5/08
(Songs, live at the Hopetoun, May 3, 2008)

No Evil – Luciano
Not Fair – Skullsquadron
The Length of Your Breath – Matt McBeath
Hesitation Nation – David McCormack
August (Aeriae remix) – Catcall
Rise to Glory – Earth
Time to Pretend – MGMT
Totally Debase (feat Babymachine) – Suckafish P. Jones
Pumpkin – Tricky
Communication Pact – Traps
Relax In a Panic Free Atmosphere – Magic Markers
Keeping It Clean – Songs
Sunday Morning – The Velvet Underground
A Parade in Littleton – Tom Verlaine
Open – Kahn Brothers
Rockist Part 1 – School of Language
One Blood One Source (feat Rudey Lee) – Pinch
Beautiful Gloom – Padded Cell
Skinny Love – Bon Iver
Warm Rising Sun – Radar Bros
I’m Now – Mudhoney
Re-arrange Us – Mates of State

Creative strand unravels

Thursday, May 1st, 2008

As if that wasn’t a headline waiting to happen.

Western Sydney community arts manager Lena Nahlous hinted all was not as it seemed with the 2020 Summit creative strand when she appeared on Canvas last Sunday morning. Nick Pickard’s article in today’s Crikey makes it explicit, saying the Initial Summit Report censored ideas discussed and included ideas never broached.

Oz theatre reviewer (and writer) Alison Croggon said:

Some points seemed disappear completely in the process: among them, a strong call for rethinking public broadcasting and the issue of responsibility towards climate change. Others surprisingly appeared: when Mr Rudd mentioned summer schools, the entire Creative stream went blank (“summer schools? who said summer schools?”) More generally, some concerns never quite made it to the whiteboards: a major oversight in the general debate was the digital gaming design industry, supposedly an area slated for discussion.

That shift came up in Pickard’s piece too:

What has amazed the delegates is that the initial report somehow changed ideas like develop “closer links between industry professionals and schools” into “Creativity Summer Schools”.

“No-one ever mentioned summer schools,” Crikey has been told by another delegate. “And the first time I heard about the Indigenous proposals was when the report was released on the Sunday.”

This is not to mention the contentious idea (also published in the initial report) which proposed that creative endeavours be funded “through a 1% creative dividend from all Government Departments for expenditure”.

“Everyone in that room knew that Queensland had tried that idea and that it had failed. I don’t know how that got put forward either,” the delegate explained.

Pickard’s source noted it wasn’t all negative:

“The summit has created a motivated group of diverse people who realised that we all have a lot in common,” another attendee has told Crikey. “Everyone realised that other people outside the stream were saying they needed the arts.”

Another attendee, the prolific (check his CV) Marcus Westbury, posted a blog entry saying much the same thing a week earlier.

Meeting people. The summit was a rare opportunity that brought together a wide range of people from across the creative, arts, cultural sector. Contrary to popular belief we don’t all hang out together all the time – particularly outside of narrow artform communities. It was both inspiring and practically quite useful to meet those people, realise that several issues cut right across the boundaries or artform or medium and begin to pull together a bit of a community going forward.

Understanding the power of symbolism has been crucial to Rudd’s government. But with this and the frankly bizarre delineation between gay unions and straight marriage – I’m married and certainly not “before God” – the government is showing the first signs of stumbling.

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